October 28, 2007

Porn and Me

I do not get along very well with porn. As with most kids who grew up with the internet, accidentally discovered porn has been the basis for much mental scaring (goatse and meatspin, anyone?). But now that I am more mature* and better able to understand and process pornographic material, I find that porn is not so much scaring as downright ridiculous.

Part of why I find porn so inherently bad, no matter what medium it is presented in, is the fact that it's merely a form of instant gratification. Since most people watch or read porn for the whole sex aspect, they don't want to get bogged down by plots and logic. As such, if you were to take the sex out of porn, the stories would have no redeeming qualities. Well, unless you like reading or watching something bad, if only for the lulz. Which I do, actually, and that has lead to more than one instance where I've started watching what I assumed to be a B-movie, only to find out it's a big ol' porno...

(Actually, my brother and I will sometimes watch this Latin Lover show on the Spanish channel, turn the volume low, and dub in our own dialog for all the soap opera-y stuff that goes on between the sex. We always end up switching it to Star Trek when the people do start getting it on, because it's no fun dubbing without dialog :P )

The other reason why I can't take porn seriously (especially written porn) is the euphemisms. I mean, you can only say "penis," "vagina" and "cock" so many times before things start getting old. But when people truck out their most imaginative and flowery descriptions of genitalia, and what they do, hilarity ensues!

Much the same thing happens when I try to write porn myself; I run out of normal euphemisms and end up coming up with ones that are completely ridiculous ("the rippling pillar of his throbbing man microphone" always makes me laugh). Also, coming up with plots for a porn story is something I find both difficult and irrelevant. After all, since most people only read erotica for the sex, what does the story matter? So most of my porno story plans follow along these lines:

  • Okay, gonna write a porno!
  • Who's in it, what are they doing and where are they doing it?
  • Person A and Person B, they're having sex (duh), and... they're doing it up against a building
  • Inside or out?
  • Let's be kinky and have it outside
  • Okay, so why are A and B having sex outside and up against a building?
  • Weeeelllll.... A could be some sort of.... nympho who gets off on doing it in public...?
  • And B just happened to be the first person A spotted!
  • Okay, but why would B just randomly have public sex with a stranger?
  • B was horny? Or maybe B was heartbroken or depressed or something, and sex is B's means of self-therapy?
  • I see, but what would make B so depressed/heartbroken that they'd go out of their way to have meaningless sex?
  • I don't know, I childhood tragedy? Oh! No, B's true love died in a horrible accident, and the only way B feels alive again is by doing people who resemble the true love!
  • What was the true love like, then?
  • Well, they'd be... actually, screw the sex, I want to write about B and their true love!
  • Also, bad pun, no biscuit!

Thus sidetracking incurs, and the sex is forgotten. But if I do manage to work out some sort of quick plot that leads to sex, as I said before, I end up laughing too hard at euphemisms to write anything.

To date, I've only managed to complete one sex-centric story, and I personally find it kind of dumb because it has no real purpose. Well, other than the obvious. The only reason I wrote it was because it was demanded of me, and threats (even half-hearted, joking ones) are good at getting rid of procrastination :P

So, in conclusion, I can't take porn seriously, but if you can, then good for you XD

*this, of course, is debatable.

October 10, 2007

Alignment test


Your Score: True Neutral


52% Good, 52% Chaotic



Plane of Existence: The Outlands, "Plane of Concordant Opposition". Description: The plane between all other outer planes.

Examples of True Neutrals (Ethically Neutral, Morally Neutral)

Red XIII, "Nanaki" (FFVII)
Vincent Valentine (FFVII)
Cid Highwind (FFVII)
Mr. Spock
Linus Torvalds
Dr. Strangelove
Scott Evil
Batman
The Punisher
Switzerland
Canada

Not actively for or against anything. Has his or her own reasons for doing everything. Usually difficult to understand.

Will keep their word if in their best interest
May attack an unarmed foe
May use poison
May help those in need
May work with others
Indifferent to higher authority
Indifferent to organizations

True Neutral "Pure Neutral"
"Balancer"


Some neutral [people] commit themselves philosophically to neutrality. They are of the true neutral alignment as described in Advanced Dungeons & Dragons.

A true neutral [person] sees good, evil, law, and chaos as prejudices and dangerous extremes. He advocates the middle way of neutrality as the best, most balanced road in the long run.

Some true neutral [people] actively support balance in the world, and seek to avoid having any one side, law or chaos, good or evil, become too powerful over them or anyone else, and will work against whichever side is the most powerful. They tend to side with the underdog in any situation, and are often opportunistic in their actions.

True neutral is committed to the avoidance of extremes, and is non-judgemental.
Other Alignments and Tendencies (Tendenices are what you would more often sway towards; esp. for Neutrals):
0-39% Good, 0-39% Chaotic:Lawful-Evil
0-39% Good, 40-60% Chaotic: Neutral-Evil
0-39% Good, 61-100% Chaotic: Chaotic-Evil
40-60% Good, 0-39% Chaotic: Lawful-Neutral
40-60% Good, 61-100% Chaotic: Chaotic-Neutral
61-100% Good, 0-39% Chaotic: Lawful-Good
61-100% Good, 40-60% Chaotic: Neutral-Good
61-100% Good, 61-100% Chaotic: Chaotic-Good

Link: The Alignment Test written by xan81 on OkCupid Free Online Dating, home of the The Dating Persona Test

October 7, 2007

Characters > Romance

Before I start, I just want to point out that, as a girl, I like romance. If a story ends with the two lovers riding off into the sunset (more often than not to make a wave of babies), I am totally down with that. Stories that end with a happily ever after make me a happy girl.

Despite that, I'm not really a fan of romance stories.

I can hear the wtf?'s you're thinking (cyber telepathy is awesome that way). "How can you not like romance stories if you like romance?"
Easy question to answer: It's because most romance stories are so formulaic and derivative that I already know how they progress and end by the time I'm done the first paragraph/ten minutes into the movie.

A normal romance (be it in book or movie form) will follow one of these formats:

1) Boy meets Girl. Boy and Girl don't get along. Boy and Girl's friends will play matchmakers. Wacky romantic hyjinks ensue. Boy and Girl fall for each other. A huge misunderstanding will split the two apart. Lots of emoing on whether they will or won't get back together. The misunderstanding is resolved, and the two do get back together. They all live happily ever after.

2) Boy meets Girl. One falls instantly in love with the other. One will perform crazy stunts to attract the affections of the other. Wacky romantic hyjinks ensue. Boy and Girl fall for each other. A huge misunderstanding will split the two apart. Lots of emoing on whether they will or won't get back together. The misunderstanding is resolved, and the two do get back together. They all live happily ever after.

3) Boy meets Girl. One is coerced into a bet/deal to turn the other into something they are not. There may be a Best Friend, who is secretly pining after one of them, and will have their misery go unnoticed by their object of affection. Wacky romantic hyjinks ensue. Boy and Girl fall for each other. The bet/deal comes to light and one will break it off with the other. Lots of emoing on whether they will or won't get back together. After dwelling on their feelings, one will forgive the other, or the Best Friend will come forward with their feelings. The misunderstanding is resolved and the Boy and Girl do get back together, or one and the Best Friend hook up, leaving the other with the lesson that you can't toy with people's feelings. One of the optional couples lives happily ever after.

4) Boy meets Girl. They fall for each other, but are honour/duty/obligation bound to not have a relationship. Lots of UST as they are forced to work together. UST gets resolved, leaving a Third Party emotionally wounded. Boy and Girl will either call off the relationship so they won't hurt the Third Party any more, or they will continue the relationship despite the opposition. A conflict arises, and one of the three is killed, most often the Third Party so the Boy and Girl can live happily ever after. If the Boy or Girl dies, then the surviving one's bonds with the Third Party are left too damaged to repair, and no one lives happily ever after. If there was no Third Party, then the survivor will either pine ever after, or die so they can be with their love.

If a romance story is well written/acted, then I can forgive the derivativeness and simply enjoy it. But 9 times out of 10 I'll come across a romance so hopelessly mediocre that I'll want to vomit rather than read/watch it. And it is because of this over saturation of unoriginal romance that I prefer stories of friendship so much more.

With romance stories, you read/watch them to see what kind of situations the leads get into, whereas in a friendship story you're reading/watching it for the interaction between the two leads. Because no two people are exactly alike, there are infinite possibilities for how one personality will deal with/play off another, and what kinds of situations they can get themselves into and out of. I like stories/movies where two characters of the opposite sex are comfortable enough with each other that they don't have to resort to unrealistic scenarios to express their affections for one another.

I may be a freak, but I would much rather read/watch something where more thought has been put into the personalities of people, than something derivative where its only draw is the gimmicky shenanigans the one dimensional characters get up to.

Besides, those antics may work in the movies, but if you continually serenade someone with romance songs in the wee hours of the night, you'll get a restraining order faster than you can say "romantic comedy".

BELIEVE IT!


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